TALITHA GETTY, DESIGNER MUSE

TALITHA GETTY, DESIGNER MUSE
Epitomizing youthfulness of the sixties...

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By Meagan Wilson

"I knew the youthfulness of the sixties: Talitha and Paul Getty lying on a starlit terrace in Marrakesh, beautiful and damned, and a whole generation assembled as if for eternity where the curtain of the past seemed to lift before an extraordinary future." - Yves Saint Laurent
 
Her life reads like a weathered page, torn out of a book of short stories, filled with beautiful people, expensive drugs, an expensive wardrobe and an unbelievable love story. As an inspiration to both designers and boho enthusiasts everywhere, the late Talitha Getty is truly an icon.

Talitha was born October 18th, 1940 in Indonesia, to artist Willem Jilts Pol and Arnoldine Adriana Mees. After a brief sentence in a Japanese prison camp during WWII, her parents split, so young Talitha and her mother moved to the United Kingdom. Shortly after, her mother died, and left eight year old Talitha to be raised by her father and stepmother, Poppet John (whose own parents, Augustus John and Dorothy McNeil, were respectively a Bohemian artist and revered fashion icon). Talitha went on to study dance at the Royal Academy of Dramatic Arts in London.
 

A fellow dancer, one of Getty’s most famous admirers, Rudolph Nureyev, who had an intense yet brief fascination with her - he constantly told his closest confidantes that he desired to marry her. Yet, it was Nureyev’s absence at a dinner party that led Talitha to meet her real future husband: oil heir, John Paul Getty II.

Claus von Büllow, personal assistant to Getty’s father, had been planning an enormous dinner party, at which Nureyev has planned to dine next to Talitha, but was unable to attend. In his place sat John, who ended up hitting it off with Talitha. This explosive couple wound up marrying in 1966 (the bride donned a creamy velvet mink-trimmed hooded minidress, the groom, a psychedelic tie). Their nuptials lead to an even further dive into hedonism, hard drugs and partying.

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